Stalin's Ghost

He sets paper sailboats afloat on the pond,

combs the water with his fingers so the boats

move forward as if propelled by waves.

He looks up at the sky and wonders how

the sun manages to float up there on its own.

 

My grandfather asks him why he had to die

of starvation and exhaustion in the gulags,

why after surviving Hitler’s demonic reign

did they force him into the Red army

and promptly ship him off to Siberia?

 

But Stalin cannot hear him, nor can

he hear the millions of other dead

that have followed him to the edge of the pond.

 

Why do you not suffer, demand the murdered poets.

What kind of justice is this? they ask.

A purple butterfly lands on Stalin’s hand.

 

I will let you live, he whispers,

and releases it into the burning forest.

Nightmare Song

I struggle to see over the shoulders of naked

and shivering men, boys, girls, women holding

babies. We turn a corner where bodies sway

 

from ropes, heads bowed and lolling

as if in prayer, beneath a rusted sky

straining to stay afloat. 

 

It’s the same dream again and again.

Helmeted men without faces swing clubs

at our heads, beat us forward, forward.

 

They’re feeding the monster Jews,

its mouth a yawning black and toothless hole,

tongue flopping like a dirty wet mattress,

insatiable. Gunshots pierce the shroud

of stifled weeping.

 

Our hands no longer

our hands.

 

Dying Of Thirst, Surrounded By Water

There we were, walking the line along

death’s precipice, mother trying on hats

in heaven’s department store.

Across the street, whores whistled

bitter schlaffmusik to lull the actuaries

into hypnotic grief. We tried

calling home but the telephone wires

had been ripped out by raccoons

or the government. I held the last

dime in my sweaty palm. Father had

a way with words, commanded them

stand tall as corn in August.

Since he’s gone there’s been a loud

silence, the hum of climate control

shifting the direction of my thoughts.

Bread refuses to rise even when

I strum the national anthem

along my pelvis. Always there,

always forgotten, my coccyx

connects me to what we always were.

 

 

*

 

Maybe it’s the rain or the spring

in the heel of my shoe or the cicada’s

shed overcoat alone on a lawn chair,

but something’s been telling me,

whispering in my ear, dance, or maybe

it’s once, or maybe dunce. Fire’s music

whorls through the wild conifers,

spreading the latest conspiracy

darkening the dark web.

How much of the soul is metaphor?

Someone said, you can’t overestimate

the body’s desire for eternity.

A baby’s finger clenches like its pulling

a trigger. Is its first instinct to kill?

I turn away in disbelief.

Chatter like fat in a flame.

 

*

 

Corpses burst out of their wooden pods

claw their way to the surface,

and forage the forest floors for guns.

I hide among the leaves and needles,

dreaming of another kingdom, another time.

Is this what trauma does? A bed might be

a bomb, a bomb might be a bed,

or maybe just a briefcase left innocently

by the embassy door. I have so many keys,

I can’t remember what they’re for.

 

The dead sit hunched, nodding in agreement,

emptying their pockets, dragonflies drying

transparent wings on their naked skulls.

One pulls a bullet from his temple, sets

it down on a stump with a little tap.

There’s always an eighty-four percent chance

of winning Russian roulette

for whoever goes first.

 

*

 

 

The crowd celebrates the return of

the father. Kismet, they say. Savior,

they whisper. Messiah, they think.

Each hair on my head extends its

root down into my brain where the masses

gather, staring in wonder at the dome of sky.

Mother holds a box of sea salt. Kosher,

of course. That’s the spirit! Spiritus mundi?

Make like a rabbit and burrow deep,

she says. I dig up their graves but find

only empty orange shells.

A jet plane stitches the sky closed.

I throw another stick in the fire.

Father says, stop crying

and smile for the camera.

IN CONVERSATION WITH
Henry Israeli