POEM OF THE MONTH
December
Elegy
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Imperative by Lee Krasner (1976)
Elegy for the Last Time I Saw Your Hangnails
I said a living girl is a dead girl. I said my guardian
angel is racking up debts that I can’t pay. Winter is a
debt collector. A living girl is a bled girl is a girl milked
of her innocence. Hey you, I’m looking for directions
to a place where I won’t get homesick. Where the ground
doesn’t smell like a lottery ticket. Where the sky’s gradient
doesn’t shimmer like a blue raspberry gas station slushie.
The last time I asked that, we ran off west through Nebraska.
Then we changed our minds and drove down to Texas. Wind
turbines gaged the earth like a punk’s septum. The flatter
the earth, the bigger the sky. The bigger the sky, the louder
the wailing. I’m gonna live there one day. Go ahead, call me
crazy. Call me cowpunk. It’s true: We don’t get to choose
where we’re from, but we get to choose who we relate to. When
the doctors told me my eating disorder was killing me, I said
instead, I was dying of desire. I still desire a wet ring of my
strawberry lip gloss around your mouth and the curls pulled
out of your hair by a cotton pillowcase. I still desire testimony
carved into screen doors. I clung to you like the spit-soaked white
bread from my grandpa’s fried peanut-butter banana sandwiches
clung to the roof of my mouth, like “I’ll Never Let You Go
(Little Darlin’)” clung to its chords. Give me one more time to
prove I’m okay with not doing it right. Give me one more time to
prove I can not be good and still be yours. I rehearse requiems
in the knotted knolls of the night. The moon chaps my mouth.


Maren Logan is a writer and multimedia artist from Indiana. Her collection of poems, “Midwest Boredom,” won the Tom Andrews Clapping award in 2025. Her poems have appeared or are forthcoming in Pleiades, Penn Review, and Frontier, among others. Her visual art can be found on her Instagram @mare.nnn or in Penn Review and Michigan Quarterly Review.


Every so often, I get a strange, overwhelming desire to move to Texas and start over. I haven’t exactly figured out why it’s always Texas, other than the first time I drove through, I was listening to “The Big Sky” by Kate Bush and feeling the world open like an eye above me. Then I got my first speeding ticket. I wanted to write a poem where the speaker was naturally a perfectionist but always messing up. A speaker who was not wise or kind but wanted to be both. A speaker who was controlled by desire and shame in tandem.
I’m thinking about Texas a lot now that there’s winter storm advisory where I live in Indiana, and every part of me feels chapped and bitter. I think it’s an elegy not just for love but also chapped lips, an elegy food stuck in your partner’s teeth or a joke that doesn’t land, an elegy for the most embarrassing moments of your life.
I wanted a speaker who, like me, keeps going back to Traci Brimhall’s “Jubilee,”: “I am harrowed, hallowed. I am stone, stone, / I have not trembled. Love nails me to the world” and wishing they had a hammer.

We received over 700 poems about loss, grief, & death this month. We were taken by Maren Logan’s "Elegy for the Last Time I Saw Your Hangnails" for how deeply it understands elegy as something sticky, bodily, and unfinished (as opposed to a clean act of mourning). I love how Logan lets desire do the driving here. "Instead, I was dying of desire." The speaker wants recklessly (a ring of strawberry lip gloss, curls pulled loose by a cotton pillowcase, the taste of childhood clinging to the roof of the mouth) and refuses to tidy that wanting. The landscapes shift with the speaker’s inner climate: Indiana winter, Nebraska flatness, Texas sky opening “like an eye above me.” Geography becomes grief’s accomplice. What I find most charming is the magnificent, self-assured, voice of the speaker. And finally: “Give me one more time to / prove I can not be good and still be yours.” — that plea cracks the poem open. This is elegy as rehearsal — rehearsing loss, rehearsing apology, rehearsing a version of the self that might survive desire without erasing it.





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