ADEAMUS
I was visited by five ghosts. No — it was one man.
On my twenty fifth year, I was far from home.
And the soul gasped — raw as liver, ravished and
unclothed. Fear can possess a heart, poisonously
as supernatural fruit. Will you hear me? First, he
watched me shower after the animals had gone
to sleep, the dark of an eye upon me. Was he a she,
like the soul, curious as I once was of the body
that would become my own? Second, he watched
me bathe and gave himself a beating, then hid
in the mountains until admitting what he did. Said
he was sorry. But he was not sorry. His hand —
slick on my hand. Third, he watched me change for
dinner from the head of a three-headed boy —
peeping under the tapestries. The smallest head was
blamed. He could not look at me. Forth, a voice
whispered my name, stalked me from the brush after
the sun went down — a boy my age high in the
weeds. By then, it was autumn and I finally bled —
women gowned around me with flowers and
flame as we talked about the pussy in the thistling
pastures. My wound unhaunted where I was
bitten. Fifth, the hanged man came onto me, his
shadow in the corner of my room. I have seen the
worst of man. From the tree, he cut his body down.
IN A PAST LIFE
for Alexander
1.
South of a Scandinavian shoal, my brother
braids through the fields in his robes — braids
through the wheat and the oats, tending.
A late spring brushes through a shepherd’s grain,
brushes like the boar bristle brush
through the blond of his daughter’s hair —
blond as his own. Home with his haul,
he lifts his daughter onto his hip & holds her
by the hearth, helps her pour the honey in —
clove and cardamom crushed with their hands.
In the dark of a corner cabinet and covered
with cloth, the mead they made will bloom with
age — sung and stored in barrels out back,
buried by the parsnips sooted with snow.
2.
My brother, tucking me into bed at night,
asked me what I could see. First, cholera spelled out
on the spirit board, but only amusingly.
He had me spooked like a filly horse for a while.
I wanted to believe in the supernatural,
stories that sent me crawling into my mother’s bed.
Centuries after & strolling under big leaf
magnolias, my brother asks, if perhaps — there might
be something here? A shepherd lifts a cattle horn
cup to my lips, once an offering to a medieval grave.
Before there was cicerone, there was this:
the half note hymn of a past life, a botanical lesson
on the hillocks as sheep scurry with their herd,
the fume of burnt sugar in a sheepdog’s coat
after a day under lightning. My brother, what I see
is your heart bound to earth with my own,
a daughter with our mother’s hair — dreaming
with the glume of her father beating under
her ear. And I can hear the shepherd calling you to me.
THE AMBER ROOM
Walking through the field, I came upon two coyotes.
Their heads inside a snow mound, feasting.
The mink was killed affectionately, as if eating the afterbirth
from their pups. I felt coddled by their maternal
nod toward my figure, wintered like a canoness on the plain.
I watched them carry the mink by his neck,
auburned from the teeth, to their secret place, their amber
room. I envisioned them coiled in the heat
of their conclave with the immaculate garnet flesh they found.
How long will their thirst be staved before
starving? All that remained was a stain of blood, a cursive
stream of scarlet on the white sheet of the
field, and the thread — feverish and throbbing from me to
them, shredding at the stitch. Before I came
to Colorado, I sensed the coyotes with their cinereous coats
as if they summoned me, as if I conjured
them. To my sorrow, they were macerated as the mountains
stripped by settlers curing meat. Among their
kin, who turns, burning on the spit? Dreaming, they dream
of them, going up with the bush. They reminded
me of sisters, banished from the world they knew. In
another life, were they accused of sorcery, hair of
flame let down in the field. They were the light that
grew in the gale. The pastor with his sola scriptura,
swelling with superstition under his robes. He is the
hunter that cannot be redeemed. Every year, the
coyotes wait for the sisters to return to the field. They
watch them set fire to the wheat¹. Match against the
book, autumn ablaze with anguish and gone by dusk.
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¹ The final three lines allude to part 3 of Louise Glück’s “Landscape”
