MOMENTUM

At our temperate latitude,

the Earth is spinning at 800 miles per hour.

It's smooth, no roaring in the wind.

We move, we speak easily.

But every once in a while

two who were walking side by side

spin out, shattering in smoke,

like jets whose wingtips touch.

And now and then, seemingly randomly,

someone falls and does not get up,

and recedes with terrible velocity.

ESSAY ON CLOUDS

Maybe a whale, as Hamlet mused,

or a camel or weasel,

more likely a hill, still likelier

a school of hills, since (as with us)

true singletons are rare.

We compare them mostly

to silent things, sensing

that thunder is something else

that gets into them -- a stone, a god --

and as for what they want to say,

aeromancy, which presumed to interpret,

never caught on. After all,

clouds weren’t reliable predictors

even of rain, and if they had a message

for us, we guessed,

it would hardly be practical:

clouds are not about

about, showing instead

boundless detail without specificity.

Whales, sure (which might in turn be

blue clouds), but we don't say

How very like a screwdriver,

or my house, or my uncle, or certainly

how unlike my uncle. For though a blend

of winds we don’t at our level

necessarily feel lends them

amazing motion, that’s not the same as

intention, so failure

is not in question. We wouldn't say

That cloud is derivative, jejune,

disproportionate, strained, misplaced

or (since they affirm nothing)

That cloud is wrong,

though truly they often bear down

on exactly the wrong moment – that overcast,

is it one cloud or ten thousand

that makes everything feel so gray

forever? From inside, of course – think

of flying through one --

a cloud has no shape. As with us: only

when someone looks hard, or we catch

our reflections, do we solidify as

whale

weasel

fool

and plummet. Though large clouds weigh

more than a 747, not one

has ever crashed, so admirably

do they spread their weight, a gift

it is not too much to hope

we could possess, since according to Porchia

we are clouds: If I were stone

and not cloud, my thoughts,

which are wind, would abandon me. O

miracle not miraculous! Everything

we know well

lightens and escapes us, and isn’t that

when we escape? So just as

Old and Middle English clūd

meant rock or hill, but now

means cloud, really I mean

in exactly the same way that stone

got over being stone

and rose, we rise.

ESSAY ON CLOCKS

Old clocks are likely to be made of wood,

with black hands, visible only by day,

since at night they sleep, sure we are sleeping too.

Whereas new clocks are nocturnal, or more accurately,

they could, like us, be up at any hour,

red, squarish numerals shining day and night

whether we are watching them or not.

Old clocks have round and unassertive faces

reminding us in somewhat general terms

in a tone that says probably you already know this

that in a little while it will be noon.

They don't mind showing how they're coming to this conclusion,

the long hand dragging the stubby one after it.

Or is it the other way? Whereas new clocks

treat every moment as a red letter day:

11:42 in lights, suddenly displayed,

as if from their vast imaginative resources

they had just invented this particular number

that is Now, and yet in less than a minute

they will come up with something even better --

11:43, a New World Record! Later than Ever!

Old clocks, if they weren't so deferential, might mention,

that they have seen something rather like this before.

They think in circles, seeing what they know

one way in the morning, another in the afternoon.

New clocks sigh at such imprecision.

Half past, a quarter after? No, they are keeping track,

though secretly, of milli-, nano-, attoseconds!

Old clocks find this compulsive and a bit pedantic.

Why not relax? They can hear with equanimity

the clocks in the next rooms slightly disagreeing.

They know we are clocks ourselves,

you and I, who run at such different speeds,

faster or slower, or slower and faster,

that they are amazed we stay in sight of each other.

They know no clock that fits on a shelf or end table,

or sits in a chair, can describe all that is Now:

only the Universe as a whole has succeeded there.

Yet even the poor Universe is humbled

by what is so simple it is beyond our telling:

countless are the hours that have never ended,

infinite are the hours that never were.

John Doe
Poet, Independent Writer
IN CONVERSATION WITH
James Richardson