LEAVING MEXICO
after Ocean Vuong’s “Essay on Craft”
Because the microwave
lighting the evening
crept into my metaphor
without asking me
if I wanted to see. Because
after dinner we laid in Dad’s
pick-up like tranquilized cattle
and no one came
to turn on the stars. Because I ran
out of alliteration
after fleeing and freeing
tied my tongue.
A LITTLE FERAL
There’s a car in my neighborhood with the bumper sticker
“a little feral” and I think of how yesterday I sawed
off two slices of watermelon and let them drip disgusting
down my elbows. I catch myself sometimes: I forget
to sweep the corners on purpose or run a load of laundry
without soap. I press into the world’s chest—will it budge?
I didn’t know I loved my first boyfriend until I yelled fuck
you one night and he didn’t leave. I do this—I push back
like a palm in church. I didn’t know I loved God until he grated
the black night into my bowl and didn’t flinch when I threw up
a few stars.
I THINK I PULLED A LITTLE GOD FROM MY MOUTH
that's what she said
the night they found
her throat in the alleyway
behind HomeSense, rolling
around in vernix
and blood. No time to call the doctor,
her jaw had simply hinged
open like a red tulip
on autopilot. Rumor has it
this woman birthed
a voice the size of her life.
