FEBRUARY

I couldn’t get the copier to work
so I stared at it like a monolith

stares at an ape wishing
it would use the tools

provided for its evolution
outside the birds divide the spoils

regarded by some squirrels nobly
paired in colloquy

on a promontory the lions
outside the abandoned library

guard archaic enthusiasm
you can only touch

under a green lamp
with authenticated eyes

poems are so strange
it seems no one needs them

but really we die
in our own hearts

someone is always just about to have written
their eyes dispensing

tears of hilarity
the final beam of sunlight

has wandered onto my forehead

ELEGY FOR TUESDAY

The phone rings
and someone tells you
another great poet died.

Now you have to tell
sleep it has lost
its most curious denizen.

Most of the world
doesn’t know it’s a death mask
in a glass case.

One cloud says
I was the one
who taught her

you can start
anywhere and end up
explaining everything.

Another replies
you were just her apprentice
of resembling.

Yes it’s true
you can read her book
and still find the door to the past

and yes the war
survived her
but not her poems

secretly continuing
the work of wondering
all the wrong things.

PALANQUIN

When I was a child I used to read
such long books summer went on forever
my room was filled with trees
a blue river flowed above me at night
I was surrounded by a yellow house
I did not yet know the difference between silences
in the longest one a king could never be killed
because he always rode by himself
In his palanquin, his solitude was his armor
I pronounced it in my mind
on the final page the war for the emerald
had ended and another loomed
I can’t remember if he married the ghost
he had seen in the park when he was a boy
or the daughter of the relentless
assassin patiently waiting in the sequel
when I say it now it resounds in my skull
I’m still not sure how it should sound
it’s like one of those names you see
carved into a stone in those old graveyards
you can find in every city if you have enough time

John Doe
Poet, Independent Writer
IN CONVERSATION WITH
Matthew Zapruder