Old Basketball Hoop

This abandoned post

on the edge of the driveway,

holding up the backboard and the rim

for more than twenty years now

in the same rusted pose,

like a monument to my children’s

childhoods, which I pass beneath

every day on my way to work,

this memorial to H-O-R-S-E,

and Around the World,

and nothing-but-net,

a metal net that went KA-CHING,

a sound so rich and gratifying,

whenever we scored a basket,

and it still tinkles softly

when the wind blows through it,

though no one has taken a shot

in years. The whole contraption

with its frozen posture

reminds me a little of myself–

still holding out, still holding up

the circle of an empty embrace

for those same children

who are done being children,

who have moved away and won’t

be moving back. It’s a little sad

and a little ridiculous, frankly,

that a whole sandbox of sand

that once upon a time I poured

into that hollow base–

so the whole thing wouldn’t tip over–

is still sitting quietly inside

just waiting for those children

to come out and play.

Delve

I want to go deeper,

all the way down

to the cellar of the house

I grew up in. I go there

in my head, the same head

that easily cleared the low ceiling

above the dark, narrow staircase,

the lightswitch on the left,

the banister beginning halfway down

on the right, the aluminum nosing

of the treads groaning metallically

as I take the steps one at a time,

counting them as I go: one, two, three,

four, five, six, seven, eight–I think there were

ten altogether, though I could be overshooting it

or undershooting it. I can’t

remember exactly but I can imagine

(imagination is memory) the exact feel

of the newel-–small, rounded, wooden—

and the squeak-rub sound it makes

as I grasp it briefly like the hand

of a dance partner and twirl myself around it,

jumping off the last step with a flourish

and landing on the linoleum tiles

of the floor of the basement

of my childhood, the furnace room

(fire-breathing, verboten) to the left,

the laundry room (sweet-smelling, white)

to the right, and one central cylindrical

vertical pole silently supporting everything

above. I put my arms around it

lovingly. I clamp my legs around it

tightly. And I embrace it like a fire pole,

replacing my tight grip with a looser grip

to allow myself to descend.

Revision

There used to be

a live chicken in this poem.

There was a mountain

and a sailboat.

The Pacific Ocean

sloshing between stanzas.

And me like Adam

saying Here am I

to God who was also

near.

John Doe
Poet, Independent Writer
IN CONVERSATION WITH
Paul Hostovsky