CHRIS BANKS
Bureau of Useless Splendour
I have never awoken in the middle of the night inside
a burning house, an old black rotary phone ringing off
the hook on a table, although two houses I once lived in
burned to ashes, turned to smoke, the darkness of a past
misremembered, meaning embers, meaning nothing left.
Now is a moment in flames kindled by useless materials:
coffee, robins digging up a back yard for worms, books
piled high on a kitchen table, a poetry graveyard, full of
beautiful lines, ones to change your life, or even mine.
The poets dead, but their words alive, which is magic,
or, at least, a kind of ventriloquism lost on most people.
I remind myself daily that I am only a puppet this world
speaks through. That although ten percent of my weight
is blood, the rest of me is an inner Serengeti, a crystal
palace hosting a Great Exhibition of Mistakes, anxieties
vibrating at a frequency to break glass, an A.I. escaped
from a lab in Silicon Valley, the product of sub-atomic
collisions, and 99.999% empty space. No wonder I feel
lonely. No wonder we seek human connection. Already
this story is a fable, is fabulous, is becoming more true
with every passing moment. Here I sit at the Bureau of
Useless Splendour awaiting the day’s invoices. Its vowels
and bad checks. Its cruelty and oil changes. Its specials
and puppy mills. We have all done terrible things say
clouds rolling in from the East.The demise of Macbeth.
I think of myself as an existential handyman as I know
fixing the shower door will never fix life’s uncertainties.
Meet me in the cease-fire zone for the prisoner swap.
I promise to exchange my inter-generational trauma
for a Chinese takeout menu. A thousand pinpricks
of guilt for the chance to wear fortune’s magic cloak.
Where do we go from here? says anyone who has ever
stood at a traffic intersection with an ancient compass
buried deep inside them, beneath egos and yearning
desires, beneath shitty café art, and all those personal
injury law advertisements. I find it hard to differentiate
between what is bogus and what is authentic, even if
I’m not a gameshow contestant playing for a big prize.
Even if there is no final quiz tallying the world’s hurts
penciled in on an old calendar tossed out in the rain.
It’s hard work I tell you this inflating of generosity, awe,
intellect with only a bicycle pump. Oh, and my too
human resentments! But at least I am trying. At least
I’m sitting at my desk, at work, as some ghost sleeps
in the manager’s office these last 2,736 weeks, refusing
to do his job so I am forced to cover for him, say whales
are related to hippopotamuses, that mice fit through
holes the size of pencils, that human eyes blink
ten million times a year. I have been told the heart
is the only muscle that never tires, but mine is tired,
of proofreading the world’s politics and purple prose,
or watching every regret and shame I’ve encountered
being dragged like a banner behind a tiny red bi-plane
across my brain. Every day. It almost will be a relief
when Death shows up in his trench coat full of cancer
and heart disease, asking me to clean out my desk.
My office passwords revoked. My ring of skeleton keys
turned in. My photos of my family fading slowly in
picture frames, and the walls of my office erupting in
flames, and somewhere a phone ringing. Ringing.
